December 1, 2010

A Groovier Thing - Dizzy for President!

With the midterm elections behind us and the rumors and prognostications already starting for the presidential election of 2012, let’s hope and pray for an inspiring candidate like the one we had in 1964. No, not Barry Goldwater or Lyndon B. Johnson - I mean John Birks “Dizzy” Gillespie!
     Dizzy’s presidential run began as something of a lark, and it never really developed much beyond that stage. A bunch of “Dizzy Gillespie for President” buttons had been created several years before for an unrelated publicity campaign. Jean Gleason, the wife of jazz critic Ralph Gleason, seems to have been the chief instigator of the campaign, mainly out of a desire for an alternative to the arch-conservative Goldwater other than LBJ. As Dizzy stated, “I was the only choice for the thinking man.”
     She organized college rallies in California - at the University of the Pacific, San Francisco State, U.C. Berkeley, and elsewhere - and attempted to get Dizzy’s name on the ballot. There was even a “Dizzy for President” birthday ball on October 21, 1963, at Basin Street West in San Francisco. At a rally in East Menlo Park, Dizzy’s official campaign song was unveiled. Sung to the tune “Salt Peanuts,” it included the following lyrics:

Your politics ought to be a groovier thing
Vote Dizzy! Vote Dizzy!
So get a good President who’s willing to swing
Vote Dizzy! Vote Dizzy!

     By 1964, his fans formed the John Birks Society, a takeoff on the radical right-wing John Birch Society, which was prominent at the time. The John Birks Society was active in 25 states. Asked why he, a jazz musician, was running for president, Dizzy replied, “Because we need one.” But as the civil rights movement began to pick up steam, Dizzy and his followers saw the campaign as something a little more substantial - a chance, at least, to show support. Proceeds from Dizzy’s presidential paraphernalia went to civil rights groups like CORE (Congress of Racial Equality) and the Southern Christian Leadership Conference.
     “Anybody coulda made a better President than the ones we had in those times,” wrote Gillespie in To Be, or Not ... to Bop, “dillydallying about protecting blacks in the exercise of their civil and human rights and carrying on secret wars against people around the world.”
Dizzy for President (Dig)     His platform included strengthening equal opportunity laws, free education for everybody, diplomatic recognition of China (he was way ahead of his time on this one), a national lottery to replace the income tax, and an end to the war in Vietnam. He thought NASA should have at least one black astronaut. On the less serious side, Dizzy promised that his first executive order if elected president would be to change the name of the White House to the “Blues House.” And he proposed the creation of civil service nightclubs, where musicians would actually be government workers and could play and get paid regularly (a federal bebop/Dixieland playing time ratio would probably need to be determined annually).
     For his cabinet, Dizzy proposed getting rid of the title “Secretary” and replacing it with the more dignified “Minister.” Miles Davis would head the CIA, Max Roach would be Minister of Defense, Charles Mingus as Minister of Peace, Ray Charles would head the Library of Congress, Peggy Lee as Ministress of Labor, Malcolm X as Attorney General, Duke Ellington as Minister of State, and Thelonious Monk as Roving Ambassador Plenipotentiary. (This last appointment is the only one that could be said to have come to pass.)
     Eventually, the whole thing sort of fizzled out, but not before making some serious points and having a lot of fun along the way. Gillespie did finally make it to the White House in 1978, where he sang “Salt Peanuts” (presumably with the original lyrics) for President Jimmy Carter.

November 29, 2010

Jazz News: New Documentary for Dave Brubeck's 90th Birthday

Dave Brubeck: In His Own Sweet Way will air on Turner Classic Movies on Brubeck's birthday, December 6 - as reported in the Chicago Tribune...
 
‘In His Own Sweet Way’: Celebrating Dave Brubeck’s 90 Years - on Film
By Howard Reich 

Dave Brubeck will turn 90 next Monday, and of all the tributes sure to flow his way, one of the most endearing will be public: the broadcast of an ambitious documentary film on his remarkably enduring career. More...

November 28, 2010

Jaleel Shaw - "Bemsha Swing" (2008)



Jaleel Shaw on saxophone, with Chris Lomhiem on piano, Billy Peterson on bass, and Kenny Horst on drums.
Note: I had the pleasure of hearing Jaleel Shaw in person recently with Roy Haynes at the SFJAZZ Festival (my review). Terrific young player.

November 25, 2010

This Week in Jazz History: November 25 to December 1

November 25
  • Cornetist Nat Adderley born 1931 in Tampa, FL.
  • Alto saxophonist Paul Desmond born 1924 in San Francisco, CA.
  • Pianist/composer Willie “The Lion” Smith born 1897 in Goshen, NY.
November 26
  • Duke Ellington records “I’m Just A Lucky So-and-So,” 1945.
  • Charlie Parker records “KoKo” at his first session as a leader, 1945.
  • Louis Armstrong records “After You’ve Gone,” 1929.
November 27
  • Bandleader/composer Maria Schneider born 1960 in Windom, MN.
  • Violinist Eddie South born 1904 in Louisiana, MO.
  • Pianist Jacky Terrasson born 1966 in Berlin, Germany.
November 28
  • Drummer George Wettling born 1907 in Topeka, KS.
  • Tenor saxophonist Lester Young records The President Plays with Oscar Peterson, 1952.
  • Saxophonist/composer Gigi Gryce born 1927 in Pensacola, FL.
November 29
  • Drummer Adam Nussbaum born 1955 in New York, NY.
  • Trumpeter Lee Morgan records The Rajah, with tenor saxophonist Hank Mobley and pianist Cedar Walton, 1966.
  • Composer/pianist Billy Strayhorn born 1915 in Dayton, OH.
November 30
  • Trumpeter Jack Sheldon born 1931 in Jacksonville, FL.
  • Louis Armstrong records Satchmo at Symphony Hall with drummer Big Sid Catlett and trombonist Jack Teagarden, 1947.
  • Bunny Berigan records Bix Beiderbecke’s “In A Mist,” 1938.
December 1
  • Saxophonist Jimmy Lyons born 1933 in Jersey City, NJ.
  • Bassist/composer Jaco Pastorius born 1951 in Norristown, PA, and records The Birthday Concert, 1981.
  • Tenor saxophonist Johnny Griffin records Five Birds and a Monk with pianist Stanley Cowell, 1978.
Source: Smithsonian Jazz

November 23, 2010

Jazz News: The Bird's Old Roost

A New York Times piece on Charlie Parker's old apartment...

Where a Bird Played Sax, Now Others Find Refuge
By Corey Kilgannon

There are two signs in front of 151 Avenue B, a row house in the East Village facing Tompkins Square Park. One is a bronze plaque identifying the building as a former home of the jazz legend Charlie Parker, who lived in the ground-floor apartment from 1950 to 1954. More...

November 21, 2010

Jazz News: Brubeck Back in Action

Dave Brubeck is back in action after cardiac surgery, as noted in this story from the Worcester, Massachusetts Telegram-Gazette:

Brubeck Makes Up-Tempo Return
Ticker repaired, pianist keeps beat
By Peter Landsdowne

WORCESTER — Joined by alto saxophonist and flutist Bobby Militello, bassist Chris Smith and drummer Cody Cox, perennially popular pianist Dave Brubeck kicked off the 16th annual Mass Jazz Festival Friday night with a dynamic concert at Mechanics Hall that served as part of Music Worcester Inc.’s 151st Worcester Music Festival. More...

Happy Birthday, Coleman Hawkins!



Coleman Hawkins Quintet playing "Centerpiece," filmed in London, 1964. Coleman Hawkins on tenor sax, Harry "Sweets" Edison on trumpet, "Sir" Charles Thompson on piano, Jimmy Woode on bass, and Jo Jones on drums.

November 20, 2010

Jazz Poetry - “Eleven”

Eleven by Sterling D. Plumpp

There ain’t/No word
I ain’t/Heard.
ain’t/No word
Bird/Ain’t heard.

Language is an/Inventor’s
privilege.

I/Blow psalms.
I/Blow sinner’s deeds.
I/Blow prayer before death.
I/Blow curses.
I/Blow laughter.
I/Blow vocabulary of my axe.

You can’t/Hold
folks/Down who Be-Bop
but you/Kin hold
them/Up.

Every Be-Bopper/Renew
his/Subscriptions
to/Genius when he riff some
thing/New on his axe.

--From Velvet Bebop Kente Cloth (Third World Press, 2003)

Note: Sterling Plumpp was born in 1940 in Clinton, Mississippi. He grew up poor, working in cotton fields and corn fields by the age of eleven and prepared for the life of a field hand. But an aunt of his, who happened to be a bootlegger, had bigger plans and paid for him to attend school in Jackson. He earned a scholarship to a local college, but when the money ran out, he hitchhiked to Chicago and began writing poetry. He graduated from Roosevelt University in Chicago, had his first poems published, and began teaching English at the University of Illinois, Chicago (UIC). His poetry often includes the rhythms of jazz (as does “Eleven”) and especially the blues. In a recent interview, Plumpp said that “bebop becomes the moment when people find their voices in some kind of collective process of innovation” - something that might apply equally to jazz (or poetry) as a whole. He has won numerous literary prizes for his twelve volumes of writing. Plumpp retired from UIC in 2001.

November 18, 2010

This Week in Jazz History: November 18 to November 24

November 18
  • Paul Whiteman’s Orchestra records Hoagy Carmichael’s “Washboard Blues,” 1927.
  • Trumpeter/multi-instrumentalist Don Cherry born 1936 in Oklahoma City, OK.
  • Tenor saxophonist John Coltrane records “Alabama,” 1963, in reaction to the church bombings in that state that killed four girls.
November 19
  • Drummer/bandleader Chick Webb records “Don’t Be That Way,” 1934.
  • Trombonist/bandleader Tommy Dorsey born 1905 in Shenandoah, PA.
  • Pianist Teddy Wilson records “Pennies From Heaven” with vocalist Billie Holiday and clarinetist Benny Goodman, 1936.
November 20
  • Trumpeter Miles Davis records arranger Gil Evans’ version of “Concierto de Aranjuez,” 1959.
  • Tenor saxophonist Don Braden born 1963 in Cincinnati, OH.
  • Guitarist Skeeter Best born 1914 in Kinston, NC.
November 21
  • Pianist Geoff Keezer born 1970 in Eau Claire, WI.
  • Xylphonist/composer Red Norvo records “Dance of the Octopus,” 1933, with Benny Goodman on bass clarinet.
  • Tenor saxophonist Coleman Hawkins born 1904 in St. Joseph, MO.
November 22
  • Pianist/arranger Horace Henderson born 1904 in Cuthbert, GA.
  • Trombonist /arranger/composer Jimmy Knepper born 1927 in Los Angeles, CA.
  • Composer/author/conductor Gunther Schuller born 1925 in Jackson Heights, NY.
November 23
  • Bassist/composer Ray Drummond born 1946 in Brookline, MS.
  • Composer Johnny Mandel born 1925 in New York, NY.
  • Drummer Art Blakey’s Jazz Messengers record At the Café Bohemia, with trumpeter Kenny Dorham, tenor saxophonist Hank Mobley, and pianist Horace Silver, 1955.
November 24
  • Vocalist Bessie Smith makes her last recordings, including “Give Me A Pigfoot,” 1933.
  • Organist/arranger Will Bill Davis born 1918 in Glasgow, MO.
  • Saxophonist/composer/arranger Al Cohn born 1925 in New York, NY.
Source: Smithsonian Jazz